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I love abstract photography; those photo's that make you stop and then wonder, "What's that?" I'm always on the lookout for the absurd, the unique and the undefinable in everyday nature; it leaves me with a sense of curiosity and wonderment in all that I observe. The "art" in photography however is much more than capturing what I see; it's first in observing beyond a first glance and then composing it in an artistic manner. Have fun exploring, you too will find hidden artistic abstracts.
While visiting Tofino recently (Vancouver Island, BC), one of my goals was to capture a few epic ocean sunsets. As each day drew to a close, I surveyed the sky in hopes for that epic shot. Fortunately, just as my stay drew to a close, the weather gods awarded me with this astonishing scene. Although there aren't a lot of vibrant colors in this photograph, I love its subtlety. The lack of vibrancy not only adds to its overall softness but it also evokes a sense of calm, peace and tranquility. I have no idea who the gentleman is that's gazing over the ocean but believe me, I sure was excited to see him walk into the scene; with him in the frame, the photograph bears a sense of depth and scale. I find his (reflective) stance quite interesting, in that it makes me wonder what he's thinking about, and that's why I named this photo "At One With The Ocean" *Tofino is known for its sandy beaches and old-growth rain-forest, Tofino attracts surfers, nature lovers, campers, whale watchers, hikers, bikers, boaters and fishermen alike. Whether you want to get close to nature, or be pampered, Tofino has it all. There are many fine restaurants, hotels, gift stores and many fantastic art galleries too (being an art lover, I went in them all!).
I captured this photograph inside the Tumacácori National Historical Park (just south of Tubac, Arizona and north of the Mexican border). The park consists of the ruins of 3 Spanish mission communities, including a restored church and a museum. It was originally established in 1961, in a different location, and then after the Pima rebellion of 1751 the mission moved to its present location, on the west Sid of the Santa Cruze River. By 1848 the mission was abandoned and efforts to restore and stabilize it began in 1908. These clay pots were inside the mission's storeroom (also known as the granary). The granary pots were filled with seeds and grains and were stored for next season’s crops (keeping them safe from rodents). The pine beams you see here were hauled from the heights of the Santa Rita Mountains, which in turn supported the thick adobe columns. These pots where in a small room, so small as a matter of fact, that I had to push myself into a corner to get this shot. What I love about this photo are tapering lines and how they’re in contrast with the circular pots. Notice how the dominate color of the pots demand your attention. This, together the linear photographic components, lead your eyes around and about the image but always back to the pots. *Notice how the pots are inset and that there’s room for more.
